To be held from June to September, the festival features more than 280 performing arts programmes, with art groups and artists from the SAR and around the country taking part.
Among the highlights is the opening programme, “Dongpo: Life in Poems”, a modern dance drama by the China Oriental Performing Arts Group and inspired by the life of Su, a poet in the 11th century in the Song dynasty.
It features both modern dance and traditional crafts such as poetry writing and calligraphy “for a visually stunning and internationally accessible experience,” said Ivy Ngai, a chief manager of the LCSD.
Ngai said another key event of the festival is the tea culture series, which features works curated by the Ambassador for Cultural Promotion, Tan Dun, blending traditional tea culture with music and performances.
In addition, “there will be exhibitions, talks and workshops which try to immerse the audience into different kinds of activities and feel the significance and culture of tea,” she said.
“I think innovation is a very important element, that we would like to fuse in Hong Kong elements, and how we modernise the traditional essence,” Ngai added.
The festival also features Peking opera, plays and films, among other works.
It aims to promote Chinese culture and enhance the public’s national identity and cultural confidence.
Ngai also said she expects the event to be popular among visitors as well. “This year, we added on more bilingual elements so as to make the programmes more accessible to travellers.”
Tickets to various performances are available from April 15.
To be held from June to September, the festival features more than 280 performing arts programmes, with art groups and artists from the SAR and around the country taking part.
Among the highlights is the opening programme, “Dongpo: Life in Poems”, a modern dance drama by the China Oriental Performing Arts Group and inspired by the life of Su, a poet in the 11th century in the Song dynasty.
It features both modern dance and traditional crafts such as poetry writing and calligraphy “for a visually stunning and internationally accessible experience,” said Ivy Ngai, a chief manager of the LCSD.
Ngai said another key event of the festival is the tea culture series, which features works curated by the Ambassador for Cultural Promotion, Tan Dun, blending traditional tea culture with music and performances.
In addition, “there will be exhibitions, talks and workshops which try to immerse the audience into different kinds of activities and feel the significance and culture of tea,” she said.
“I think innovation is a very important element, that we would like to fuse in Hong Kong elements, and how we modernise the traditional essence,” Ngai added.
The festival also features Peking opera, plays and films, among other works.
It aims to promote Chinese culture and enhance the public’s national identity and cultural confidence.
Ngai also said she expects the event to be popular among visitors as well. “This year, we added on more bilingual elements so as to make the programmes more accessible to travellers.”
Tickets to various performances are available from April 15.
